*Kiriaki Chrysanidou
Variations on an Original Theme Op. 36 - Enigma Variations
Variations on an Original Theme for orchestra , Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1898–1899. It is Elgar's best-known large-scale composition, for both the music itself and the enigmas behind it. Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal of one of his circle of close acquaintances.After its 1899 London premiere, the piece achieved popularity and was given international performances. The people portrayed in the variations include his wife Alice, Augustus J. Jaeger and Elgar himself. It has been arranged for various instruments. The enigma is not the identity of the persons portrayed, as those are known, but rather a hidden theme that is, in Elgar's words, "not played". This hidden theme has been the subject of much speculation, and various musicians have proposed theories for what melody it could be, although Elgar did not say that it was a melody. The enigma could be something else, such as a symbol or a literary theme. Elgar accepted none of the solutions that were put forward in his lifetime, and, pleased with his little joke, took the secret with him to the grave. The Enigma Variations have been given over sixty recordings since 1924.
(wikipedia)
Theme (Andante) 0:00
Variation I (L'istesso tempo) "C.A.E." 1:26
Variation II (Allegro) "H.D.S.-P." 3:06
Variation III (Allegretto) "R.B.T." 3:51
Variation IV (Allegro di molto) "W.M.B." 5:13
Variation V (Moderato) "R.P.A." 5:42
Variation VI (Andantino) "Ysobel" 7:38
Variation VII (Presto) "Troyte" 8:54
Variation VIII (Allegretto) "W.N." 9:52
Variation IX (Adagio) "Nimrod" 11:45
Variation X (Intermezzo: Allegretto) "Dorabella" 15:11
Variation XI (Allegro di molto) "G.R.S." 17:45
Variation XII (Andante) "B.G.N." 18:46
Variation XIII (Romanza: Moderato) 21:22
Variation XIV (Finale: Allegro Presto) "E.D.U." 23:53
http://en.wikipedia.org/wiki/Enigma_Variations
"There is poetry and fantasy in this music but also technical ingenuity and control; there is Elgar the exalted symphonist but also Elgar the miniaturist, the salon composer, the man of the theatre.
The variations run the gamut from light and airy to emotionally and spiritually profound, but even where he pokes fun Elgar’s love for his friends is apparent: the music can be deeply expressive and achingly beautiful. Among the more serious portraits is the slow, dignified “Nimrod” (No. 9)—the heart of the piece; it evokes a summer evening Elgar spent talking about Beethoven’s slow movements with a close friend. There is some witty tone-painting, too—a “country squire” hustling out of a room with a slam of the door (No. 4), a charming young girl with an unfortunate stammer (No. 10) — and there are good-natured parodies of amateur performers (Nos. 6 and 7). Some variations do not portray the friends themselves: the minuet-like No. 8 depicts an eighteenth-century house, No. 11 documents Elgar’s amusement over a friend’s bulldog, No. 13 evokes a sea voyage. Especially moving are Elgar’s portraits of his wife (No. 1) and, in the long, noble Finale, himself." (Programme Note by Kevin Bazzana)
http://www.youtube.com/watch?v=G5y4Hwwb8as
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