GRIEG EDVARD
*Christos Sipsis
Edvard Grieg: Peer Gynt Suite No.1
Peer Gynt Α/ Η Suite No.1, Op. 46
Suite No. 1, Op. 46
Morning Mood (Morgenstemning)
The Death of Åse (Åses død)
Anitra's Dance (Anitras dans) In the Hall of the Mountain King (I Dovregubbens hall)
Edvard Grieg - Peer Gynt Suite No 2, op. 55
Suite No. 2, Op. 55
The Abduction of the Bride. Ingrid's Lament (Bruderovet. Ingrids klage)
Arabian Dance (Arabisk Dans)
Peer Gynt's Homecoming (Stormy Evening on the Sea) (Peer Gynts hjemfart (Stormfull aften på havet)) Solveig's Song (Solveigs Sang)
Peer Gynt (Grieg) - Wikipedia, the free encyclopedia
Peer Gynt, Op. 23
is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo).
Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites:
Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture.
Peer Gynt - Wikipedia, the free encyclopedia
Peer Gynt (/ˈpɪər ˈɡɪnt/; Norwegian pronunciation: [ˈpeːr ˈɡʏnt]) is a five-act play in verse by the Norwegian dramatist Henrik Ibsen, loosely[citation needed] based on the fairy tale Per Gynt. It is the most widely performed Norwegian play. According to Klaus Van Den Berg, the "cinematic script blends poetry with social satire and realistic scenes with surreal ones".[1] Peer Gynt has also been described as the story of a life based on procrastination and avoidance.[2] A first edition of 1,250 copies was published on 14 November 1867 in Copenhagen.[3] Despite having swiftly sold out, a re-print of 2,000 copies, which followed after only 14 days, didn't sell out until seven years later.[4]
While Bjørnstjerne Bjørnson admired the play's "satire in Norwegian egotism, narrowness, and self-sufficiency" and described it as "magnificent", Hans Christian Andersen, Georg Brandes and Clemens Petersen all joined a widespread hostility.[5] Enraged by Petersen's criticisms in particular, Ibsen defended his work by arguing that it "is poetry; and if it isn't, it will become such. The conception of poetry in our country, in Norway, shall shape itself according to this book."[6] Despite this defense of his poetic achievement in Peer Gynt, the play was his last to employ verse; from The League of Youth (1869) onwards, Ibsen was to write drama only in prose.[7]
Ibsen wrote Peer Gynt in deliberate disregard of the limitations that the conventional stagecraft of the 19th century imposed on drama.[8] Its 40 scenes move uninhibitedly in time and space and between consciousness and the unconscious, blending folkloric fantasy and unsentimental realism.[9]
Raymond Williams compares Peer Gynt with August Strindberg's early drama Lucky Peter's Journey (1882) and argues that both explore a new kind of dramatic action that was beyond the capacities of the theatre of the day; both created "a sequence of images in language and visual composition" that "became technically possible only in film."[10] Peer Gynt was first performed in Christiania (now Oslo) on 24 February 1876, with original music composed by Edvard Grieg, which includes some of today's most recognized classical pieces, In the Hall of the Mountain King and Morning Mood. It was published in a German translation in 1881, in English in 1892, and in French in 1896.[11] The play is very loosely based on a Norwegian fairy tale, Per Gynt, believed by Ibsen to be rooted in fact. Ibsen was also generally inspired by Peter Christen Asbjørnsen's collection of Norwegian fairy tales, published in 1845 (Huldre-Eventyr og Folkesagn). Several of the characters are modelled after Ibsen's own family, notably his parents Knud Ibsen and Marichen Altenburg
Peer Gynt - Wikipedia, the free encyclopedia
Grieg's music
See also: Peer Gynt (Grieg)
Ibsen asked Edvard Grieg to compose incidental music for the play. Grieg composed a score that plays approximately ninety minutes. Grieg extracted two suites of four pieces each from the incidental music (Opus 46 and Opus 55), which became very popular as concert music. Two of the sung parts of the incidental music ended up in these suites (the famous In the Hall of the Mountain King in the 1st suite with the vocal parts omitted, and the last part of 2nd suite, Solveig's Song, the solo part now played by violin rather than sung, though the vocal version is sometimes substituted). (Originally, the second suite had a fifth number, The Dance of the Mountain King's Daughter, but Grieg withdrew it.) Grieg himself declared that it was easier to make music "out of his own head" than strictly following suggestions made by Ibsen. For instance, Ibsen wanted music that would characterize the "international" friends in the fourth act, by melding the said national anthems (Norwegian, Swedish, German, French and English). Reportedly, Grieg was not in the right mood for this task.
The music of these suites, especially Morning Mood starting the first suite, In the Hall of the Mountain King, and the string lament Åse's Death later reappeared in numerous arrangements, soundtracks, etc. Other Norwegian composers that have written theatrical music for Peer Gynt include Harald Sæverud (1947), Arne Nordheim (1969), Ketil Hvoslef (1993) and Jon Mostad (1993-4). Gunnar Sønstevold (1966) wrote music for a ballet version of Peer Gynt.
IBSEN, Henrik - Peer Gynt (scène finale).
Corey Conradi & Liv Ullmann - Ibsen 2006 Opening Ceremony
*Έλλη Τσιρογιάννη
Grieg: Piano Sonata in e, Op.7
*Christina Liakou
Grieg- Anitra's Dance
*Tanja Pavlovic
Edvard Grieg - Solveig's Song
*Sofia Chamantne
Edvard Grieg - Norwegian Dance No.2 (piano 4 hands)
*Sergios Malakates
Edward Grieg - String Quartet No. 1 in G Minor, Op. 27
*Babis Kanas
Anna Netrebko sings "Solveig's Song" by Edvard Grieg
Marita Solberg in Solveigs Song by Edvard Grieg/ Neemi Jarvi
Kirsten Flagstad - Grieg Solvieg's Song from Peer Gynt (1929)
Edvard Grieg Solitary Traveller
*Eddy Kouyioumdjian
Grieg Piano Concerto, 1st Movement, Pawel Mazurkiewicz
*De Profundis Ya
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - I. Sylfide (Sylph)
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - II. Tak (Gratitude)
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - III. Frans serenade (French Serenade)
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - IV. Bekken (Brooklet)
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - V. Drommesyn (Phantom)
Edvard Grieg - Lyric Pieces, Book 7, Op. 62 - VI. Hjemad (Homeward)
*Stratis Vagis
Sviatoslav Richter plays Grieg: Piano Concerto in A minor, Op.16 - I. Allegro molto moderato
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